In the realm of cinema, there are a few soundtracks that have left a mark on film history. One example is the Terminator soundtrack, composed by the Brad Fiedel.
The Origins of the Terminator Soundtrack
In 1984, James Cameron‘s The Terminator was released, introducing audiences to a dystopian future where machines rule and humans struggle for survival. This film, starring Arnold Schwarzenegger and Linda Hamilton, became a cult classic and has since spawned numerous sequels and spin-offs.
The original Terminator film’s soundtrack played a pivotal role in creating the film’s distinct atmosphere. Composer Brad Fiedel, known for his innovative work in electronic music, was given the task of crafting a score that would help tell the story of a relentless cyborg sent to kill Sarah Connor.

Fiedel’s approach to scoring the film began with experimenting in his garage using a combination of synthesizers and percussion instruments. At the time of the film’s release, electronic music was still a relatively new and experimental genre.
His decision to use synthesizers as the primary instrument in his score was groundbreaking and set the stage for future film composers to explore the potential of electronic music in their own work. His creative process led to the development of a score that was both haunting and exciting, perfectly encapsulating the film’s dark, futuristic atmosphere.
Original Soundtrack Release and Track Listing
The original soundtrack album featured a variety of songs and instrumental pieces. The track listing includes the following:
- Main Title (Terminator Theme)
- Terminator Arrival
- Reese Chased
- Sarah on her Motorbike
- Gun Shop
- Reese Dreams of Future War
- Photoplay
- Sarah Watches News
- Tech Noir
- Garage Chase
- Alley Chase
- Sarah Calls Detectives
- Tunnel Chase
- Love Scene
- Future Flashback
- Factory Chase
- End Credits (Final Terminator Theme)
The Impact of Fiedel’s Score on the Film’s Atmosphere and Storytelling
One of the most memorable pieces of music from the film is the main title theme, which has become synonymous with the Terminator franchise. This piece features a rhythmic, pulsating beat that mirrors the relentless nature of the Terminator cyborg.
In addition to the synthesizers, Fiedel used a variety of unconventional sounds and techniques to create the soundtrack’s distinct atmosphere. For instance, the track “Factory Chase” features industrial noises and metallic clangs, reflecting the film’s setting within a factory and enhancing the tension during the climactic chase scene.
Another standout track is “Tech Noir“, which plays during a pivotal scene in the film where Sarah Connor first encounters the Terminator at a nightclub. The track’s driving beat and eerie synthesizer tones create a sense of urgency and danger, heightening the tension as the characters’ paths collide.
Fiedel also used the soundtrack to underscore key moments in the story and develop the characters’ emotional arcs. Tracks like “Intimacy” and “Photoplay” delve into the emotional aspects of the characters’ relationships, providing a respite from the film’s more action-driven sequences.
The score features softer, more intimate pieces as well. Tracks such as “Love Scene” emphasizes the developing relationship between Sarah and her protector, Kyle Reese. This track provides a stark contrast to the film’s darker, action-driven moments, reminding the audience of the human connections at the heart of the story.
The Legacy of the Terminator Soundtrack
In later films of the Terminator franchise, the original theme has been adapted and reinterpreted by various composers, each putting their own spin on Fiedel’s original work. In Terminator 2: Judgment Day, Fiedel himself reworked the main title theme into a Judgment Day Remix, incorporating elements of the film’s updated storyline and adding a new layer of depth to the score.

Other composers, such as Marco Beltrami and Lorne Balfe, have also paid homage to Fiedel’s work in their own scores for later Terminator films. These adaptations and reinterpretations of the original theme serve as a testament to the lasting influence of Fiedel’s work on the franchise and the larger world of film music.
Beyond the Terminator franchise, Fiedel’s innovative electronic score has also inspired other composers to explore new ways of using technology in their own work. The soundtrack’s blend of synthesizers, percussion, and unconventional sounds has been a touchstone for many composers working in the science fiction genre, and its influence can be heard in a wide range of film scores today.
A Timeless Classic
In 2016, the original Terminator soundtrack was reissued by Milan Entertainment in partnership with Metro-Goldwyn-Mayer Studios, under an exclusive license. This reissue was sourced from the original tapes and featured a track listing that included all of Fiedel’s compositions for the film, as well as additional tracks by artists such as Jay Ferguson, Linn Van Hek, and Tahnee Cain & Tryanglz.
The reissued soundtrack provided fans with the opportunity to revisit Fiedel’s groundbreaking work and appreciate the depth and complexity of his compositions. From the menacing “Terminator Arrival” to the suspenseful “Tunnel Chase” and the emotional “Reese’s Death“, each track is a testament to Fiedel’s ability to use music to tell a compelling story.
As the Terminator franchise continues to expand, the soundtrack’s legacy endures, ensuring that Fiedel’s work remains an essential part of cinema history.