
The episode opens on a fair in 1962, planting the seed for everything that follows. A kid named Francis hits the horror house, gets rattled by a performer calling himself the Skeleton Man, and heads home with a new slingshot. The car breaks down. Francis goes for water and meets a young Indigenous girl, Rose. He can’t cover the full price, so they strike a deal. He shares the slingshot.
That little trade is the key. Francis grows up to be General Francis Shaw, the man running a secret military program in Derry. Rose grows up to run a shop in town. Their summer wasn’t some throwaway memory. It shaped a mission.
Juniper Hill and Guilt
Back in the present, Jill gets her meds adjusted at Juniper Hill. The doctor floats “extreme” options if she has another episode. Not subtle. It’s a reminder of how rough mental health treatment could be.
Lilly finds an ally in a kind housekeeper who actually listens. The woman hands Lilly a totem bracelet for protection and nudges her toward making things right with Ronnie. Lily’s guilt is heavy. Her choices helped put Ronnie’s dad, Hank, in jail. Meanwhile, the police chief leans on Hank with fresh “evidence” and a nasty reminder about Shawshank State Prison. It’s not proof. It’s pressure.
Ronnie’s Rough Day, New Bond
School isn’t kinder. Ronnie’s locker gets tagged with a cruel message. Will Hanlon, Major Hanlon’s son, doesn’t pile on. He offers a bit of decency. Later, Lilly tries to apologize to Ronnie and reveals a plan to help clear Hank. There’s a snag. Lilly’s history means her statement about monsters sounds like a story to most adults. So she proposes something bold and stupid and possibly brilliant. Get photographic evidence.
The Hunt and Hallorann’s Shining
General Shaw believes in Dick Hallorann’s gift and wants it airborne. Hallorann boards a helicopter with Major Hanlon and Pauly, using his shining like a human compass.
Before liftoff, Shaw shows a cigar box he claims “marked” the entity long ago. Inside isn’t tobacco. It’s that same slingshot from 1962. In the air, visions slam into Hallorann. He even sees Pennywise and nearly steps out of the chopper. Major Hanlon stops him at the last second. Whatever they’re chasing can see them now. That’s bad.
Why the Slingshot Matters

Flash back to the woods. Young Francis and Rose wander where they shouldn’t. The Skeleton Man appears and morphs into something with too many teeth. Rose snaps off a shot with the slingshot, hits the thing, and buys them a few seconds to escape. That strike is the “mark.” Decades later, it still resonates. With the slingshot as a focus, Hallorann can lock onto the entity’s trail.
Derry’s Fading Memories
Shaw visits Rose’s shop. He admits that after leaving town as a kid, he forgot nearly everything that happened here. Rose says that isn’t unusual. People who move away forget Derry. Like the town edits itself out of your head. Helpful for survival, maybe. Creepy either way.
Shaw lies about the military’s digging, telling Rose it’s just for pipes and asking her help to avoid sacred sites and unmarked graves. He wants her trust. He also wants her knowledge.
Hanlon and Hallorann Build Trust
After the helicopter scare, Major Hanlon invites Hallorann to dinner. Conversation gets awkward when activism comes up, but Hallorann rolls with it. Later, Hanlon confronts him about a previous encounter. Hallorann admits he was there to study Hanlon’s mind. The amygdala damage means Hanlon doesn’t feel fear, which makes him valuable in this operation. The two men form an honest, quiet bond.
Hallorann also asks for a place to relax with friends. Early seeds of the Black Spot, the club for the Black community that we know won’t end well. Tragic foreshadowing with a smile on top.
Summon it, Shoot it, Prove it
Lilly and Ronnie recruit Will and his buddy Rich. They need someone who can develop film, and Will’s the best bet. Rich claims he learned a ritual in Cuba from a Santería priest. Candles. A cemetery. A chant. Sounds sketchy because it is.
They try it anyway. The girls want proof. The boys want to help. The candles go down, the circle is set, the words get tangled, and then the ground seems to breathe. Graves split. Shapes crawl out. For a second, it looks like the Episode 1 massacre all over again.
Graveyard Chaos, Blurry Proof

They run. They scream. And they click the shutter whenever something moves. In the chaos, Will captures a shape that looks a lot like the clown nobody wants to meet. The photos are blurry. They still count. In the 1960s, it’s evidence. Today people would say “fake.” Different problem for a different century.
With prints in hand, Lilly and Ronnie finally have something to fight with. Hank might have a shot.
Shaw’s Pleased. Hallorann Isn’t
Shaw calls the mission a win. Hallorann knows better. The entity saw them. It knows there’s a hunt underway. He feels something turning. He’s probably right.
This chapter is both setup and turning point. The prologue locks into the present like puzzle pieces snapping together. The military thread tightens. The kids feel like a real Losers Club in the making. And the show keeps layering Stephen King lore with small, sharp details. Juniper Hill. Shawshank. The Black Spot’s shadow.
If the season keeps this pace, Welcome to Derry is teasing depth, and delivering it.

Daniel fell in love with movies at the ripe old age of four, thanks to a towering chest of drawers filled with VHS tapes. Which, let’s face it, was the original Netflix binge-watch. Ever since then, this lifelong movie buff has been on a relentless quest for cinematic greatness, particularly obsessed with sci-fi, drama, and action flicks. With heroes like Nolan, Villeneuve, and Fincher guiding the way, and a special soft spot for franchises where aliens, androids, and unstoppable cyborgs duke it out (think Terminator, Predator, Alien, and Blade Runner), Daniel continues to live life one epic movie marathon at a time.