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Glen Powell Goes Full-Throttle in Edgar Wright’s The Running Man Trailer
Glenn Powell leads the charge in Edgar Wright’s bold new take on The Running Man. Gritty, timely, and full of surprises. Read our trailer breakdown…
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Ryan Gosling Heads to Space in Project Hail Mary: First Trailer Reaction
Project Hail Mary trailer reaction: Ryan Gosling’s sci-fi movie brings Andy Weir’s novel to theaters with alien mystery, survival stakes, and Lord and Miller’s heart.
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Brad Pitt Gets Candid About Alcoholism and Recovery on Armchair Expert
Brad Pitt opens up about sobriety, AA, and healing in a powerful interview with Dax Shepard on the Armchair Expert podcast.
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Denis Villeneuve Is Directing the Next James Bond Film (I’m Hoping It’s Aaron Taylor-Johnson in the Suit)
Denis Villeneuve will direct the next James Bond film. Here’s what that means for the franchise and why Aaron Taylor-Johnson could be the perfect choice…
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The Mandalorian and Grogu Movie: Can It Win Back Star Wars Fans?
The Mandalorian and Grogu movie arrives May 22, 2026. Here’s what the Star Wars film needs to fix after Season 3 to win back fans.
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AMC Is Adding More Ads Before Movies And It’s Pushing People Away
AMC Theatres, in a move that feels straight out of a corporate parody, has decided to run even more ads before movies. You know, because…
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Billy Beane, Moneyball, and the 2025 Evolution of Sabermetrics
Billy Beane’s rise in baseball is a wild mix of sharp thinking, bold decisions, and a little bit of rebellion. When he became general manager…
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F1 The Movie Review: Brad Pitt’s Racing Blockbuster Still Delivers
Our F1 The Movie review revisits Brad Pitt’s racing blockbuster now that it is streaming on Apple TV, from the IMAX-style racing scenes to the…
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The True Story Behind I Love You to Death Is Wilder Than the Movie
The true story behind I Love You to Death follows the bizarre real-life case that inspired the dark comedy.
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The Substance Explained: Everything You Need to Know About 2024’s Most Unforgettable Film
The Substance packs a punch – and we’re not just talking about the jumpscare of an ending when the film morphs genres, taking on almost comical…